28.4.
Minuswelt (Sarah Fichtinger, Leonhard Müllner)
Screening
Droneland (Adina Camhy & Katrin Euller)
Live radioplay
Adina Camhy
Sound performance
echoraum Vienna
© Daniel Jarosch
© Ronja Kappl
Minuswelt, Videostill
Minuswelt
Concept/Direction/Camera: Sarah Fichtinger, Leonhard Müllner
Modding/Camera: Nikola Supukovic
Music: Adina Camhy
Work in progress
With Minuswelt, Sarah Fichtinger, Leonhard Müllner (Total Refusal), and Nikola Supukovic appropriate the computer game Kingdom Come: Deliverance 2 and manipulate its digital textures. The game, which boasts a particularly historically accurate portrayal, is set in the agrarian society of the late Middle Ages. Inspired by recent historical research, Minuswelt focuses on the representation of women and the utopian spaces of the early modern period. The privatisation of common goods and the relegation of women and their labor to the domestic sphere formed the basis for the emerging capitalism of this era. The film explores how the role of women and their living conditions at that time are depicted in the contemporary mass medium of video games.
The pseudo-marxist media guerilla Total Refusal explores and practices strategies for artistic intervention in contemporary computer games. It works with tools of appropriation and rededication of game resources.
Since its foundation in 2018 the collective has been awarded with more than 70 awards, like the European Film Award for Best Short, the Diagonale Film Award for the Best Short Doc, the Locarno Award for Best Direction, the Contemporary Visual Arts Award of Styria Province and Vimeo Staff Pick Award. Total Refusal has been screened at more than 130 film and video festivals like Berlinale (2020), Doc Fortnight at MOMA New York and IDFA Amsterdam (2018) and they have been exhibited at various exhibition spaces like the Architecture Biennial Venice 2021, the HEK Basel (2020) and the Ars Electronica Linz (2019).
total refusal
Droneland
Field recordings, synthesizer, effects
Text: Adina Camhy & Katrin Euller
Voice: Adina Camhy
The 10 minute audioplay Droneland is built upon field recordings from the Viennese Alberner Hafen, an industrial site in Vienna’s southeastern periphery – an apparent no man’s land between Lobau, Danube, oil port, logistics center, cemetery and refinery.
What does the landscape on the edge of the big city sound like? What history meets what possible futures here? Is there a way out of capitalist reality?
Field recordings, synthesizer sounds and spoken word create a micro-portrait of a landscape on the edge of a big city.
“Droneland” references the audio essay “On Vanishing Land” by theorists and sound artists Mark Fisher and Justin Barton (Hyperdub, 2019), in which they recall a hike along the coast of Suffollk.
Adina Camhy studied architecture at TU Graz and UPV Valencia and Master Critical Studies at the Academy of Fine Arts Vienna (ongoing). Her works are shown in public spaces as well as at film festivals, cinemas and exhibitions in Austria and abroad. Exhibition venues include Künstlerhaus Vienna, MIT Massachusetts, Belvedere 21 Vienna, Leopold Museum Vienna, Kunsthaus Graz, Amos Rex Helsinki, Kunsthalle Vienna. Her short films have been screened at film festivals such as BFI London Film Festival, Diagonale Festival of Austrian Film, Doclisboa, Curtocircuíto Festival International De Cine Santiago de Compostela, Milano Film Festival, Uppsala International Short Film Festival or Werkleitz Festival.
Her music, moving between noise, ambient, drone, industrial, field recordings and improvisation, has been part of performances (by Michikazu Matsune, Navaridas Deutinger), films (Total Refusal) and radio pieces and has been present at festivals such as the Wiener Festwochen, Impulstanz or Berlinale. She plays concerts in Austria’s underground venues as a solo artist and in collaborations.
She has received scholarships, grants and awards, including the City of Graz Working Scholarship for Fine Arts (2025), the Carinthia Annual Scholarship for Interdisciplinary Art Forms (2023), the Pixel, Bytes + Film Grant (2022) and the City of Graz Art Promotion Award (2017). In 2023 & 2024 she spent several months in Trieste as part of residencies (AiR Trieste & Clanz Residency) researching the topic of Karst/Karso/Kras in the Capitalocene.
Katrin Euller works as a sound and media artist in Vienna. She studied ecology at the University of Vienna and fine arts at the Academy of Fine Arts Vienna. Euller works primarily with sound, moving images, and text, focusing on themes such as noise, dystopian ecologies, vulnerable technology, and collective experiences. With her ambient/noise project "Rent," Katrin Euller performs in clubs, at festivals, in museums, and in the alternative scene, including appearances at Unsafe + Sounds, Sägezahn, Struma + Iodine, the Kunsthalle Vienna and Secession Vienna.
adina camhy
rent
droneland
KOMPLIZINNEN I
Alles hat Grenzen NUR DER MONDFISCH NICHT (by Sylvia Eckermann & Gerald Nestler)
Screening
GISCHT / EAERES
Live performance
Künstlerhaus Vienna
KOMPLIZINNEN II
Screening: re-BIRDING (by Michaela Schwentner)
brrds / The Answer Is No
Live performance
Künstlerhaus Vienna
Minuswelt (Sarah Fichtinger, Leonhard Müllner)
Screening
Droneland (Adina Camhy & Katrin Euller)
Live radioplay
Adina Camhy
Sound performance
echoraum Vienna
© Daniel Jarosch
© Ronja Kappl
Minuswelt, Videostill
Minuswelt
Concept/Direction/Camera: Sarah Fichtinger, Leonhard Müllner
Modding/Camera: Nikola Supukovic
Music: Adina Camhy
Work in progress
With Minuswelt, Sarah Fichtinger, Leonhard Müllner (Total Refusal), and Nikola Supukovic appropriate the computer game Kingdom Come: Deliverance 2 and manipulate its digital textures. The game, which boasts a particularly historically accurate portrayal, is set in the agrarian society of the late Middle Ages. Inspired by recent historical research, Minuswelt focuses on the representation of women and the utopian spaces of the early modern period. The privatisation of common goods and the relegation of women and their labor to the domestic sphere formed the basis for the emerging capitalism of this era. The film explores how the role of women and their living conditions at that time are depicted in the contemporary mass medium of video games.
The pseudo-marxist media guerilla Total Refusal explores and practices strategies for artistic intervention in contemporary computer games. It works with tools of appropriation and rededication of game resources.
Since its foundation in 2018 the collective has been awarded with more than 70 awards, like the European Film Award for Best Short, the Diagonale Film Award for the Best Short Doc, the Locarno Award for Best Direction, the Contemporary Visual Arts Award of Styria Province and Vimeo Staff Pick Award. Total Refusal has been screened at more than 130 film and video festivals like Berlinale (2020), Doc Fortnight at MOMA New York and IDFA Amsterdam (2018) and they have been exhibited at various exhibition spaces like the Architecture Biennial Venice 2021, the HEK Basel (2020) and the Ars Electronica Linz (2019).
total refusal
Droneland
Field recordings, synthesizer, effects
Text: Adina Camhy & Katrin Euller
Voice: Adina Camhy
The 10 minute audioplay Droneland is built upon field recordings from the Viennese Alberner Hafen, an industrial site in Vienna’s southeastern periphery – an apparent no man’s land between Lobau, Danube, oil port, logistics center, cemetery and refinery.
What does the landscape on the edge of the big city sound like? What history meets what possible futures here? Is there a way out of capitalist reality?
Field recordings, synthesizer sounds and spoken word create a micro-portrait of a landscape on the edge of a big city.
“Droneland” references the audio essay “On Vanishing Land” by theorists and sound artists Mark Fisher and Justin Barton (Hyperdub, 2019), in which they recall a hike along the coast of Suffollk.
Adina Camhy studied architecture at TU Graz and UPV Valencia and Master Critical Studies at the Academy of Fine Arts Vienna (ongoing). Her works are shown in public spaces as well as at film festivals, cinemas and exhibitions in Austria and abroad. Exhibition venues include Künstlerhaus Vienna, MIT Massachusetts, Belvedere 21 Vienna, Leopold Museum Vienna, Kunsthaus Graz, Amos Rex Helsinki, Kunsthalle Vienna. Her short films have been screened at film festivals such as BFI London Film Festival, Diagonale Festival of Austrian Film, Doclisboa, Curtocircuíto Festival International De Cine Santiago de Compostela, Milano Film Festival, Uppsala International Short Film Festival or Werkleitz Festival.
Her music, moving between noise, ambient, drone, industrial, field recordings and improvisation, has been part of performances (by Michikazu Matsune, Navaridas Deutinger), films (Total Refusal) and radio pieces and has been present at festivals such as the Wiener Festwochen, Impulstanz or Berlinale. She plays concerts in Austria’s underground venues as a solo artist and in collaborations.
She has received scholarships, grants and awards, including the City of Graz Working Scholarship for Fine Arts (2025), the Carinthia Annual Scholarship for Interdisciplinary Art Forms (2023), the Pixel, Bytes + Film Grant (2022) and the City of Graz Art Promotion Award (2017). In 2023 & 2024 she spent several months in Trieste as part of residencies (AiR Trieste & Clanz Residency) researching the topic of Karst/Karso/Kras in the Capitalocene.
Katrin Euller works as a sound and media artist in Vienna. She studied ecology at the University of Vienna and fine arts at the Academy of Fine Arts Vienna. Euller works primarily with sound, moving images, and text, focusing on themes such as noise, dystopian ecologies, vulnerable technology, and collective experiences. With her ambient/noise project "Rent," Katrin Euller performs in clubs, at festivals, in museums, and in the alternative scene, including appearances at Unsafe + Sounds, Sägezahn, Struma + Iodine, the Kunsthalle Vienna and Secession Vienna.
adina camhy
rent
droneland
KOMPLIZINNEN I
Alles hat Grenzen NUR DER MONDFISCH NICHT (by Sylvia Eckermann & Gerald Nestler)
Screening
GISCHT / EAERES
Live performance
Künstlerhaus Vienna
KOMPLIZINNEN II
Screening: re-BIRDING (by Michaela Schwentner)
brrds / The Answer Is No
Live performance
Künstlerhaus Vienna